Of noble natures, of the gloomy days

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S'io credesse che mia risposta fosse \ A persona che mai tornasse al mondo \ Questa fiamma staria senza piu scosse, \ Ma perciocchè giammai di questo fondo \ Non tornò vivo alcun, s'i'odo il vero, \ Senza tema d'infamia ti rispondo.

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Posted: 1 week ago

(via enchanting)

Posted: 3 months ago

{from the source} — Basically it’s strings attached to my wrists, that run around the room to connect to a pen hanging from the ceiling in such a way that the left hand controls up-down, and the right (bow) hand controls left-right. I.e. it turns me into a plotter. Then, when I play cello, the gestures of the playing are transmitted into the line in the drawing.

{from the source} — Basically it’s strings attached to my wrists, that run around the room to connect to a pen hanging from the ceiling in such a way that the left hand controls up-down, and the right (bow) hand controls left-right. I.e. it turns me into a plotter. Then, when I play cello, the gestures of the playing are transmitted into the line in the drawing.

(Source: Flickr / gshowman)

Posted: 4 months ago

lucette:

atomos:IMG_4911 (by bazilio_fish)

Posted: 6 months ago

Imogen Cunningham, “Hand of Gerald Warburg 2” (1929)

Imogen Cunningham, “Hand of Gerald Warburg 2” (1929)

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